GAFFER
MOLLI AND MAX IN THE FUTURE
GAFFER - FEATURE FILM - GLORP CONTENT, LLC - 2022
As the gaffer on this extremely ambitious independent feature film, I worked primarily as a one-man grip and electric department. I leveraged wireless DMX hardware and software to design and execute complex lighting plans including cues and effects, all while working single-handedly as Gaffer, Key Grip, Dimmer Board Operator, and Lamp Operator all at once. We utilized many cutting-edge technologies including LED Volume stages (the same tech used to shoot multi-million dollar television series "The Mandalorian"), rear projection, and green screen.
Zosia Mamet on Late Night with Seth Meyers promoting Molli and Max in the Future
THAT DAMN MICHAEL CHE
Season 1
GAFFER - TV SHOW - HBO - 2021
In the peak of COVID lockdown, I gaffed this pickup shoot for That Damn Michael Che. Since Cinematographer Eric Branco was in Los Angeles at the time, I did a lot of the hands-on producing work for him, assembling a crew and building out an equipment list to fulfill his lighting plans. On the day, I lit the set myself with Eric's guidance transmitted through my Airpods; I had him on a Zoom call. We worked together to light the backdrop to a very specific color palette, one color for each episode.
I'M THINKING OF ENDING THINGS
SECOND UNIT GAFFER - FEATURE FILM - NETFLIX - 2019
I was the Second Unit Gaffer on this Charlie Kaufman film. I had the unique opportunity to light several pickup shots and some fun car work, for which we used a process trailer and rigged lights onto it to achieve a very natural look.